maximilianyuen
註冊: 2006-02-11
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 Re: Panasonic相機一問 Post time: 1 月 22 日 |
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DMC-LC: A line no longer in production. This line consisted mostly of midrange, medium-size cameras.
DMC-LS: Panasonic's cheapest line, budget plastic compact cameras powered by two AA batteries. The LS line includes the LS1, LS2, LS60, and LS75 (March 2007).
DMC-LZ: A budget line, but more advanced and with more user control than many other digital compact cameras. The most notable feature is a 6× (37–222 mm) optical zoom range, instead of the 3× range provided by most digital compact cameras. The LZ line includes the LZ1, LZ2, LZ3, LZ5, LZ6, and LZ7 models (Feb 2007).
DMC-FX: The ultra-compact series of the Lumix brand. The FX line is a midrange camera line, consisting of relatively typical cameras. The FX01 was the first ever ultra-compact (considering Ricoh R series as compact) with a true wideangle 28–102mm lens, sharing now (20 Jan 2007) this feature with its siblings FX07 and FX50, as well as with the Canon SD800 IS (IXUS 850 IS in Europe). Unlike most of the other Lumix lines, the FX series tends to have a more stylish look (as opposed to the generic silver or black), likely due to its target use of social photography. The FX line includes the FX1, FX5, FX2, FX3, FX7, FX8, FX9, FX01, FX10, FX12, FX30, FX50, FX07, FX100, FX33, and FX55 models. The Panasonic Lumix DMC-FX30 was announced as the world's slimmest camera with a 28mm equivalent wide-angle lens.
DMC-LX: A high-end compact/ultra-compact camera line, with 16:9 widescreen aspect ratio CCD sensor (most non-SLR digital cameras and the "Four Thirds" system use a 4:3 ratio CCD sensor, while most DSLRs and older film cameras typically a 3:2 ratio), full manual exposure and focus controls (with joystick control rather than focus ring), and RAW recording, unusual in compact cameras. Includes the 8-megapixel LX1 and the 10-megapixel LX2 (Feb 2007).
DMC-FZx (excluding DMC-FZx0 models): "compact" ultra-zoom higher-end cameras. These cameras are described as compact but are relatively large, have extensive controls (although models earlier than the FZ7 do not have manual focus), and long zoom ranges (12×) with an extending lens. The series comprises FZ1, FZ2, FZ3, FZ4, FZ5, FZ7, FZ8 and FZ18 (18x zoom).
DMC-FZx0: bridge semi-SLR cameras. These high-end cameras resemble digital SLRs in many ways, but have a non-interchangeable, non-extending zoom lens. The later models from the FZ30 are large and heavy. have a wide zoom range (12×) and extensive manual controls, including fully manual focus and zoom rings on the lens. The range comprises the FZ10, FZ20, FZ30, and FZ50.
DMC-TZ: The TZ (Travel Zoom) line includes the TZ1, TZ2, and TZ3, compact, point and shoot 10× zoom cameras with image stabilization and Panasonic's new Venus III image processing engine. The TZ1 uses folded optics, with a prism, to provide longer zooms in a smaller body.
DMC-L: Panasonic's dSLR line. This line includes the L1 and L10. It uses the Four Thirds System lens mount and can display live image view on the LCD screen, unlike most dSLRs; the Olympus E-330 also has this capability.
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