雞能
註冊: 2004-01-20
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 想買Olympus E-500, 請進! Post time: 12 月 28 日 |
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一ling上手連kit lens的確好輕,
觀景器依然keep住"細"&"暗",
我完全睇唔到觀景器入面D綠色資料,
快門按鈕質感同E-300完全相同,
快門聲音同E-1一樣,
基本上快門設計係同E-1一樣,
回彈力比E-300細, 冇咁震.
拆除鏡頭, 先知快門聲係點型成,
反光板用力拍打上方邊緣,
基本上係反光板用全力向上反做出撞擊聲.. 恐怖!
其實其他DSLR都係咁設計,
但係E-500向上打力度及聲音令我心寒...
再試操作方面, MENU冇新意, 一樣OM樣,
方向制放低左, 完全唔就手指公,
依然用四粒獨立制控制方向而唔係一粒過,
方向制制太難按, 質感都不及其他DSLR,
轉ISO, EV 要按制後再按左右,
唔可以用look look轉因為你隻手指已經按下選項制,
我就認為咁設計非常麻煩, 唔夠一体化,
因為其他DLSR非常方便,
只要手指公長期留在look look上就可以更改大部份setting,
呢個可能非常難明, 不過只要有實物比較過就好了解E-500點解咁麻煩!
2.5inch LCD係大, 不過未致於要"嘩"一聲.
MON大都有唔好,試左幾張ISO1600,
我一放大張相, NOISE在2.5inch LCD上所看到程度令大部份人止步!!
因為室內顏色偏黃偏橙, 呢個就係DLSR通病la.
如果你問E-500個Noise Filter有冇用,
我會答, 就算有Noise Filter, D Noise都多過350D, D50好多倍!
連拍方面依然死性不改,
我用HQ, 8M都係8張就停, 要放開快門鈕再按,
放開快門鈕後, Buffer到card亦偏慢,
要等一段長時間先可以free返buffer再高速連拍,
如果唔等free-up個buffer,
就只可維持1fps二三張再放開快門鈕再按,
比起E-300, 硬體上冇乜改進,
只係軟體上解除4張停一停limit,
如果用最高解像最低壓縮,
第四張就開始1fps因為冇buffer,
而且要放開快門鈕再按!
鏡頭都係E-300支14-45mm,
因為機身太輕, 已經冇質感可言,
如果用50-200 F/2.8就一定失平衡,
其實如果買E-500建議用
14-54mm F/2.8 $3800-4000
50mm F/2 macro $3XXX
好多人冇留意E-system畫面比例係4:3
一般DSLR係3:2, 當然3:2有Film feel好多,
就等於拍電影一定16:9, 有冇見過有制片用4:3??
初玩好多都唔明E-System係乜,
其實CANON, NIKON, PENTAX, KONICAMINOLTA......
呢幾家相機公司都係用APS-C SIZE CCD,CMOS, 22.7x15.1mm
只有olympus 係用4/3 CCD, 18X13.5mm
尺寸比較細小, 亦因為較少公司有研究此尺寸CCD,
導致技術及工程設計上不及APS-C CCD,CMOS, 例如NOISE!
APS-C有很大市場及供應,
技術方面自然可以因為資金充足而快速增長!!!
當然資金都係投資DLSR要考慮,
E-500 唔可以買到質素高又平的副廠鏡,
大光圈更加係天價15,000以上,
如果你想平又想" 真 正 enjoy 用 DSLR"
請不要選擇Olympus E-500,
明眼人一看便知E-500屬於DC,
因為那些用家感受不到真正D-SLR!!!
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alvincyt
註冊: 2003-01-15
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| Re: 想買Olympus E-500, 請進! Post time: 12 月 28 日 |
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E-500:
1. http://www.dpreview.com/reviews/olympuse500/page26.asp
Highly Recommended:
When the E-500 was announced in September this year the reception was noticeably more positive than for the E-300. The E-300's primary problems were its unusual design/layout and (as soon as reviews arrived) pretty average high ISO performance. It had five months as the highest pixel count 'affordable' digital SLR, until Canon announced the EOS 350D (Digital Rebel XT). So here we are about eight months later with the camera we'd always wanted Olympus to produce, a quality compact affordable digital SLR with an Four Thirds system lens mount. I'll re-iterate the point from my E-300 review, this is the kind of camera Olympus should have used to launch the Four Thirds system.
Pick up the E-500 and it feels immediately familiar, good ergonomics, a comfortable hand grip and a 'normal' pentaprism viewfinder mean that although its a whole new mount/sensor system it feels like a traditional SLR (and that's really important). The more traditional body feels stiffer and better put together than that of the E-300. The E-500 is the lightest (body only) digital SLR available at the moment, but not the smallest, and honestly that's not a bad thing. The EOS 350D (Digital Rebel XT) is just a little too small, mostly lost to the hand grip which can feel thin and cramped. The E-500 has clearly been designed by people who really go out and use the cameras.
Image quality is on the whole very good, resolution essentially as good as the EOS 350D (Digital Rebel XT), although perhaps not as per-pixel crisp, and an Olympus-like contrasty tone / vivid color look to images. My only disappointments are with the way the cameras image pipeline deals with highlights which can look 'hard clipped', the over-processed looking sharpening and noise at ISO 1600. The E-500 still has (essentially) the same sensor as the E-300 and despite improved noise reduction it's still no match for Canon's excellent CMOS sensor at higher sensitivities (above ISO 400). Hence if you find yourself shooting a lot of ISO 800 and 1600 images you may wish to think harder about the Canon offerings. Other negatives include the small viewfinder which can make it difficult to visualize focus distance, and the not-so-instant-startup (1.7 sec power on).
Dive into the E-500s menus and you soon realize this camera offers far more from a features point of view than the competition, you just don't find features like this on a $699 camera; manual flash power, flash bracketing, manual focus bracketing, test picture, customizable buttons and dial, custom mirror-lockup, in-camera RAW development, lens shading correction. So despite some shortcomings, and assuming you can forgive the small viewfinder view you'll be hard pushed to argue with the 'value proposition' the E-500 represents. As a bonus you can always put some of the savings towards one of the excellent Olympus E system lenses (of which there are now considerably more to choose from).
2. http://www.letsgodigital.nl/en/news/articles/story_1030.html
TIPA Award-winning Four Thirds standard:
With the very bright telephoto lens, ZUIKO DIGITAL ED 150mm F2.0, (35mm camera equivalent: 300mm) Olympus again extends the range of lenses for the Olympus E-System. Full compatibility with the TIPA Award-winning Four Thirds standard means this lens boasts a compact form for great portability and handling plus a large aperture. Its telephoto performance is coupled with high light-gathering power, making it ideal for capturing nature and sporting action. The F2.0 aperture also lets the user bring a shallow depth of field to the composition, allowing subjects to be beautifully framed by blurring the background. Optical precision is exceptional, ensuring very sharp and high-contrast images.
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