DCFever.com

as.fai · 註冊: 2008-12-29 上載我的肖像

本人用緊tokina 12-24mmf/4 2代,覺得d色好淡,有冇師兄用緊呢支鏡?想放咗佢入canon10-22值得嗎?比比意見!

iso_ray · 註冊: 2007-10-01 上載我的肖像

16-35 II

orabuln · 註冊: 2004-12-23 上載我的肖像

換16-35 II ... 咁唔爭左換埋機啦...

換 10-22 睇你鍾唔鍾意六星茫啦... 影夜景 tokina 星茫正好多... 唔介意哩樣野... 就絕對值得換... wide 多兩mm... wide 好多架...

PROGEARTEAM · 註冊: 2009-01-05 上載我的肖像

如果未來會上FF,SIGMA 12-24 是一個好選擇

jsklee · 註冊: 2002-10-16 上載我的肖像

use PS to add saturation

rickwok · 註冊: 2002-10-16 上載我的肖像

數碼年代，我真係吾覺得"D色"有幾重要！

機身又可調教，電腦又可調教

Obi-Wan · 註冊: 2006-02-06 上載我的肖像

rickwok
"我真係吾覺得"D色"有幾重要！機身又可調教，電腦又可調教 " yes, that may need much effort AND U DO NOT always success

I have a Nikon D40X and a Canon 400D, I like the vivid color of Nikon D40X much over 400D. I used photoediting software to use a script to convert the 400D's color into D40X's color tune. BUT STILL CANNOT FULLY MIMIC the gradation from "orange to red". and "cyan to blue" of Nikon D40X. I think this is the color characteristic of a particular "sensor+low pass filter+firmware" combination that cannot be mimic by other brand.

Can pepsi be tasted like coke? NO!