never mind! forget it! right~

thanks

good

好

Might be I sound quite impolite in the response, sorry for this.



I just feel the film is calm, yet passionate and intimate, anyway, i love the mood of the film.

如果有乜令你晤會，那就唔好意思嘞！我只係想知你對呢套戲同嗰一場嘅感受(我想你有睇過呢套戲)，純粹想知別人的看後感！我亦係被你這標題click進來多口的！打攪嘞！

光頭佬只:



Takeshi Kitano's film is about deaf people, to have long pan shot in portraying how thier intimacy without words, no sound is kind of world of two protoagonists.



Also, for 10 minutes or even longer pan shots without words are quite common in japanese films, Akira Kurosawa, Yasujiro Ozu, Kenji Mizoguchi........many famous japanese directors would use similar cinematic style. I dare say minimalistic would always be kind of Japanese asthetics (Wabi-sabi).



I might not be able to answer your question directly, but who knows Muji's style really for?? For no print/ for asethetics/ for money??? who really knows and who really cares?

咁你對「北野武」呢套戲又點睇伲？！咁你又對呢套戲嘅一慕在畫面上只影着兩個人坐係沙灘上什麼都不做又沒有聲音(亦沒有配樂)，鏡頭只pan住佢哋成拾幾分鐘，你覺得「北野武」想表達些什麼呢？！